Zbirka: Gledališke študije
696 rezultatov
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Elizabethan Popular Theatre(2008) HATTAWAY, MICHAELElizabethan Popular Theatre surveys the Golden Age of English popular theatre: the 1590s, the age of Marlowe and the young Shakespeare.Vezava: Mehka116,14 € -
Religion, Theatre, and Performance(2013)This collection argues that religion is an explicitly public force that stimulates and complicates public actions. In short, it is a crucial aspect of much performance. This collection is both a means of, and urgent argument for, expanding the attention pVezava: Mehka82,46 €
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Documentary and Verbatim Theatre(2025) YOUNG, STUARTDocumentary and Verbatim Theatre surveys the emergence and rise of work based on real life in contemporary theatre, exploring the artists, methodologies, plays and central themes that have characterised its enduring popularity.Vezava: Mehka73,49 €
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Creativity in Theatre-Making(2025) COLWELL, PAULCreativity in Theatre-Making identifies and explores relationships between theatre-makers. The book seeks to expand opportunities for creativity and collaboration from concept to realisation.Vezava: Mehka73,49 € -
Poetics of Performance Diagrams(2024) MIRCEV, ANDREJ (UNIVERSITAT DER KUNSTE BERLIN)This Element considers the concept of performance diagrams and shows their historical, epistemic and aesthetic functions in theatre and dance. The Element reviews the relevance of diagrams for performance-making, analysis and documentation, and also eluciVezava: Mehka34,22 € -
Performing Grief in Pandemic Theatres(2024) WALSH, FINTAN (BIRKBECK, UNIVERSITY OF LONDON)This Element discusses how theatre grieved for itself, for the dead, for lost ways of living, while also imagining and enacting new modes of being together. It shows how grief must seep into the public sphere to fight to save health and social care servicVezava: Mehka34,22 €
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Playwriting, Dramaturgy and Space(2024) FREEMAN, SARA (UNIVERSITY OF PUGET SOUND, WASHINGTON)This Element presents the work of Caryl Churchill, Naomi Iizuka, and Sarah Ruhl as exemplary of the way text-based theatre, both its scripts and productions, now creates and expects a spatialized imaginary and demonstrates the potentials of text-based theVezava: Mehka34,22 €
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Encounters in Performance Philosophy(2014)Encounters in Performance Philosophy is a collection of 14 essays by international researchers which demonstrates the vitality of the field of Performance Philosophy. The essays address a wide range of concerns common to performance and philosophy includiVezava: Trda136,79 €
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Staging Class Conflict in the UK(2025) TOMLIN, LIZ (UNIVERSITY OF GLASGOW)This Element focuses on the most precarious fraction of the working class in the context of a theatre industry and audiences that are dominated by the middle class. It reflects on the political potential of theatre that seeks to eradicate class descriptorVezava: Mehka34,22 € -
Ellen Terry, Shakespeare, and Suffrage in Australia and New Zealand(2025) FLAHERTY, KATE (AUSTRALIAN NATIONAL UNIVERSITY )This Element undertakes the first comprehensive examination of the 1914 tour to reveal the sixty-six year old Ellen Terry's professional agency, her creative autonomy, her skilful navigation of ageist sexism, her eager receptivity to new natural environmeVezava: Mehka34,22 € -
English Play Development under Neoliberalism, 2000–2022(2025) TYLER, LUCY (UNIVERSITY OF READING)This Element is the first study of the institutionalising of English play development practices in the twenty-first century. It identifies how support for playwrights and text increased during the 1990s and 2000s, and draws attention to a liberatory horizVezava: Mehka32,31 € -
#WakingTheFeminists and the Data-Driven Revolution in Irish Theatre(2025) KEOGH, CLAIREThis Element examines the #WakingTheFeminists movement, a grassroots campaign for gender equality in Irish theatre, sparked by Lian Bell's Facebook post about the gender disparity in Abbey Theatre's 2016 programme. It highlights its success, impact on polVezava: Mehka34,22 € -
Theatres of Autofiction(2025) MARK, LIANNA (LUDWIG-MAXIMILIANS-UNIVERSITAT MUNCHEN)This Element is the first monograph to explore the popularity of autofiction in contemporary theatre, a mix of autobiographical and fictional materials. It examines the aesthetics and politics of autofiction through three conceptual binaries: fact/fictionVezava: Mehka34,22 €
