Podrobnosti o izdelku
Poglej vseISBN
9780714856537Mladinska knjiga ID
444430Leto izida
2010Datum izida
28.02.2010Velikost (šxdxv)
150 × 200 × 10Status dobavljivosti
Na zalogi pri dobaviteljuJezik
ANGTeža
300 gZaložnik
PHAIDON PRESS LIMITEDAvtor
JAMES MEYEROpis
Minimalism offers the first straightforward and useful summary of the output and outlook of the artists associated with minimalism in its heyday, as well as its subsequent development into more nuanced visual forms and its relationship to postmodernism. Editor James Meyer is a specialist who has written extensively on Carl Andre, Donald Judd, Dan Flavin, and Sol LeWitt, four of the seminal minimalists (the fifth is Robert Morris). Despite the intellectual thorniness of this art, Meyer avoids the turgidity that marks much of the writing associated with it.
Tracing the origins of minimalism primarily to Frank Stella's "Black Paintings" of 1959, Meyer outlines the shifting, often warring definitions of this new kind of art. Once sculptors Andre and Judd had made their mark, there was doubt that painters could be minimalists. Brice Marden and Robert Ryman made the cut because their work was believed to be purely about the process of painting. Interestingly, although this was overwhelmingly a male club, curators also initially embraced the work of several women artists (including Agnes Martin and Anne Truitt) who retained such minimalist no-noes as irregular, handmade marks, color that could be perceived independently of form, and a belief in transcendent meaning.
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