Claiming the Real

Name: Claiming the Real
Brand: PALGRAVE
SKU: 394615
Price: 23.53 EUR
Availability: InStock

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23,53 €

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Status dobavljivosti: 3-5 delovnih dni

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ISBN

9781844572717

Mladinska knjiga ID

394615

Leto izida

2008

Datum izida

30.11.2008

Velikost (šxdxv)

173 × 20 × 234

Status dobavljivosti

3-5 delovnih dni

Jezik

ANG

Teža

566 g

Založnik

PALGRAVE

Avtor

WINSTON

Opis

Documentary: Grierson and BeyondClaiming the Real II describes the origins, development and current state of documentary cinema, and the social, political, industrial and ethical factors that determine its production. This new edition addresses the ethical quagmires, digital technologies and proliferating forms that have transformed documentary cinema.Preface I Preface to the 2nd edition PART I: THE CREATIVE TREATMENT OF ACTUALITY The Documentary and CGI The Documentary Film in 1914 The Documentary as the Creative Treatment of Actuality PART II: CREATIVE: DOCUMENTARY AS ART Photography as Art The Documentarist as Explorer/Artist The Griersonian Artist Documentary Film and Realist Painting The Politics of Realism Running Away from Social Meaning Poor, Suffering Characters: Victims and Problem Moments Serious-Minded Chaps: Politics and Poetics He Never Used the Word Revolution To Command, and Cumulatively Command, the Mind of a Generation Running Away from Social Meaning in America Staatspolitisch Besonders Wertvoll To Win New Comrades for the Cause A Curious Comment PART III: TREATMENT: DOCUMENTARY AS DRAMA Life as Narrativised Chrono-Logic Non-Narrative: Works Better in the Head than on the Screen Sincere and Justifiable Reconstruction PART IV: ACTUALITY: DOCUMENTARY AS SCIENCE Photography as Science Science as Inscription Evidence in the Law Technologising the Documentary Agenda Documentary as Scientific Inscription: Film as Evidence Moments of Revelation This Objective--Subjective Stuff Is a Lot of Bullshit Kinopravda Film as Ethnography Film as Truth The Principles of Visual Anthropology Flies in the Soup: The Influence of Cinema Verite Flies on the Wall: The Influence of Direct Cinema PART V: THE POST-GRIERSONIAN DOCUMENTARY? The Naturalistic Illusion The Battlefields of Epistomology The Difference that Makes a Difference What Constraints? The Voluntary Consent of the Human Subject What Interests the Public The Nadir of Human Achievement The post-Griersonian Documentary: a tour d'horizon The post-Griersonian Documentary: The Farther Shore Do Not Be Afraid!. Envoi Notes Bibliography Index